Ricarda Wagner studied English, German, and Classics at the Universities of Heidelberg and Cambridge. She completed her PhD dissertation on "Entangled Displacements. Exile and Medieval European Literature" in September 2017. Before coming to Bern in October 2017, she served as Assistant in medieval language and literature at the German Department at the University of Heidelberg. In her current post-doc project, she explores the relations between humans and material objects in medieval hagiography.
Early medieval literature of Britain, Scandinavia, and Germany; comparative medieval literature; exile and postcolonial studies; hagiography; material culture studies.
At the University of Bern:
- Monsters of the Middle Ages
- Earlier Englishes
- BA Colloquium
- MA Colloquium
- Masculinities in the Early Medieval Northwest
- Early Medieval Books: Making and Meaning
- All Things Considered: Approaching Medieval Text through Objects
- "No such thing" Swords, Rings, and other Material Objects in Old English Literature
At the University of Heidelberg:
- Odin's Drink and Gisli's Dream: Introduction to Old Norse literature and language
- Introduction to Medieval Studies
- Court – Town – Forest – Park: Literary Spaces in Medieval Studies and Modern Linguistics (team-taught with Katharina Jacob)
- Reading Medieval Epics: Beowulf, Nibelungenlied, Chanson de Roland
- Miracles, Torture and Holy Heroes: Medieval Hagiography
- Old Texts and New Ideas: Literary Theory and Cultural Studies read Medieval Literature (team-taught with Michael Ott)
- Wolfram’s Parzival
- European Love Lyrics of the Middle Ages
- Monsters of the Middle Ages
- Academic Reading, Writing, and Research Skills
Writing beyond Pen and Parchment: Inscribed Objects in Medieval European Literature. Ed. by Ricarda Wagner, Christine Neufeld and Ludger Lieb. Berlin/Boston, De Gruyter (in print, appears Oct 2019).
“Tablets, or: The Poetics of the Premodern Post-It”. In: Writing beyond Pen and Parchment: Inscribed Objects in Medieval European Literature. Ed. by Ricarda Wagner, Christine Neufeld and Ludger Lieb. Berlin/Boston 2019. 188–204.
“Introduction”. In: Writing beyond Pen and Parchment: Inscribed Objects in Medieval European Literature. Ed. by Ricarda Wagner, Christine Neufeld and Ludger Lieb. Berlin/Boston 2019. 1–13. (with C. Neufeld)
“Inscriptions in Medieval British Literature”. In: Writing beyond Pen and Parchment: Inscribed Objects in Medieval European Literature. Ed. by Ricarda Wagner, Christine Neufeld and Ludger Lieb. Berlin/Boston 2019. 49–73. (with C. Neufeld)
"Dead Writing Matters? Materiality and Presence in Medieval German Narrations of Epitaphs" (with Ludger Lieb). In: Irene Berti et al. (eds.). Writing Matters: Presenting and Perceiving Monumental Texts in Ancient Mediterranean Culture. Berlin/München/Boston, De Gruyter 2017. 15–26.
"Philologie als Enträtselung der Welt? Das altenglische Exeter Book Riddle 43". In: Ekkehard Felder and Ludger Lieb (eds.). Texte – Seit 1386: Gedichte – Kurzprosa –Sprachdaten. Von Heidelberger Wissenschaftlern in der Akademischen Mittagspause vorgestellt und erläutert. Heidelberg, Winter Universitätsverlag 2016. 69–74.
"Parzival’s Fear and Werther’s Loathing – Teaching Emotions in Medieval and Modern Literature to High School Students in Germany: An Experiment" In: The Once and Future Classroom 13.1 (2016).
"Beyond the Hall: Diasporic Constructions of Home and Belonging in Beowulf, The Wanderer, and The Seafarer." In: Florian Kläger and Klaus Stierstorfer (eds.). Diasporic Constructions of Home and Belonging. Berlin/Boston, De Gruyter 2015. 369–387.
Comparative Medieval Literature
In my PhD dissertation on 'Entangled Displacements. Exile and Medieval European Literature', I have examined discourses of dislocation in Old English and other medieval literatures. While there is no cultural community of any time or place that does not know experiences of exile, 'exile literature' is taken most often to refer to modern literary accounts of displacement. My dissertation seeks to redress this bias and investigates questions of alienation and belonging in Old English poetry, Old Norse sagas, Old French lais, Castilian epic, Latin Carolingian court poetry, and Middle High German tales of empire.
My current research focus is material culture studies. My post-doc project centres on saints' lives from medieval Britian, Scandinavia, and the Continent. I aim to discover what hagiography can tell us about how the Middle Ages understood the categories of 'person' and 'thing' – distinct concepts in our postmedieval understanding, but strikingly blurred in medieval tales of holiness.
I am also interested in inscriptions as an intersection of textual and material culture. Since 2014, I have been an invited member of the Collaborative Research Centre (SFB 933) on 'Material Text Cultures' at the University of Heidelberg. In conjunction with the sub-project C05 on 'Inscriptionality in Medieval Literature', I am currently editing a volume that explores fictive inscriptions on stone, wood, metal, and human skin in medieval European literatures from Scandinavia to Iberia.